Reflections on Picasso and Masaccio

A few years ago I had the good fortune to visitoften seen in works alluding to something higher
Barcelona for a week and feast my eyes andor deeper but lacking any solid foundation. How
heart on that city's rich visual heritage. During thiscan I say this? Well I can only go on my inner
time I visited the Picasso museum, whichfeeling when I look at art and if a piece moves
chronicles his life by displaying drawings, paintingsme then I am grateful and encouraged, and if it
and sculptures selected from his prolific output. Itdoesn't move me, then I move on.I would like to
does appear true that in his youth he could drawrecommend Masaccio (1401-1428) to anyone that
as well as many a master before him.has not heard of him. He is regarded as the first
`Conventional' in execution, his early drawings aregreat painter of the Italian Renaissance and
testament to his huge talent and skill, which hegreatly influenced those who came after him. I
used in various ways throughout his career.Aslove his work not because of his ground-breaking
Picasso went through life, he seemed to beuse of perspective, but for the power and
searching for a way to draw like a child again andemotion that underpin them. Two of his pictures
produce works that had the simplicity andthat move me most profoundly are frescoes
spontaneous magic of a child's creation. However,painted for the Brancacci Chapel, Italy. They are:
there is a period in his life around 1922-23 when`Saint Peter Baptizing' and `The Expulsion of Adam
he produced the works that I love the most. Iand Eve from Paradise'. These contain a volcanic
have a card entitled `Mother and Child', aenergy that simmers and boils, barely contained
reproduction of a Picasso whose original iswithin the painted surface of the works. It came
currently in the Baltimore Museum of Art that isas no surprise to me that he was a deeply
so beautiful it almost makes me weep to see it.spiritual person and his religious works reflect this.
It shows two figures so utterly at ease with eachIn contrast, many of those who came after him
other, in a soft and tender exchange that itproduced work that was technically more
conveys perfection in contentment and mutualadvanced and refined but lacking spiritual depth.
self-absorption.Softness and tenderness are twoMichelangelo had power, Raphael had refinement,
qualities that actually rarely appeal to me in theLeonardo had vision, but Masaccio had Purity and
art world, which is funny as these heart qualitiesfor me, Purity winsEd Silverton is an artist from
often come to the fore when I'm trying to doBristol. He studied art at Bristol College and works
something myself. Maybe it's because so much ofas a freelance artist specialising in ceramics and
what is in the art- world does not appeal to mepottery. His work embodies beauty and simplicity.
that I welcome the `justice-light' aspect ofHis art is influenced by his meditation teacher Sri
powerful art. I imagine it cutting through the drossChinmoy who is also an artist himself.
of mediocrity and soppy sentimentality that is