Discover the secrets of pottery


Putting Patterns on Porcelain

Today there are many options for puttingcomposition accounts for the pure white gleam
colorful patterns onto porcelain china. Some,of  porcelain.
like decoupage, waterslide decals and
air-dry paints like Delta Air-Dry PermEnamelArtisans who paint porcelain (rather than
are  within  the  reach  of any home crafter.actually make it) refer to three grades of
porcelain: hard-paste, soft-paste, and bone
Others, like dye sublimation printing,china. They all contain kaolin but only
transfer printing and hand-glazing high-firedhard-paste has feldspar and silica and is
pottery require substantial investment inhigh-fired. The high temperatures cause the
equipment and are best suited tobody and the glaze to fuse. When hard-paste
well-capitalized businesses and artists'porcelain is broken, it is impossible to
cooperatives.distinguish  the  body  from  the  glaze.
The two classic ways of putting patterns ontoSoft-paste porcelain adds ground glass or
porcelain, hand-painting and transferfrit (material for glass that is not yet
printing, still exist today. In addition,fused and vitrified) and is fired to between
there is a high-tech version of waterslidecone 01 and 1 (1999 to 2109 degrees F).
decals used commercially which consists ofBecause soft-paste porcelain is fired at
screen-printing decals with glazes andlower temperatures, it does not completely
applying the decals to the porcelain. In eachvitrify and remains slightly porous. When
case, the pottery is high-fired beforesoft-paste porcelain is broken, you can
decorating to at least cone 6. [Cone is adistinguish a grainy body covered with a
measure of heat absorption resulting fromglassy  layer  of  glaze.
heat applied over time. Cone 6 translates to
between 2165 and 2269 degrees F (depending onBone china has bone ash added to the kaolin
how fast the kiln heats - or ramps - up).]and vitrifies (becomes glass-like) somewhere
Such high-firing produces the hardbetween cone 2 and cone 5 (2034 to 2205 F).
almost-translucent quality of genuineThough not as hard as true porcelain, bone
porcelain. Then the piece is decorated andchina is more durable than soft-paste
lightly fired repeatedly to melt and fuse theporcelain. The bone ash greatly increases the
glazes  to  the  porcelain.translucence  of  the  porcelain.
Incidentally, the term "porcelain" has beenFinally, go to a tile store and look at their
applied more and more broadly as new"porcelain" tiles. If you turn them over, you
techniques developed. Ask any potter towill see base clay ranging from white to
define "porcelain" and he will likely givebrown to gray. The definition of "porcelain"
you the classic definition. To a potter,in the tile industry has nothing to do with
genuine porcelain is high-fired (cone 6 orthe clay content or level of firing. Rather,
higher) white clay that is at least somewhattile manufacturers define as "porcelain" any
translucent. It has a large proportion oftile fired to the point where it absorbs less
kaolin clay, with the remainder beingthan 3% moisture.
primarily feldspar and silica. This clay



1 A B C D E F 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134