| TUSCAN WANDERWAYS | | | | Do not walk uphill to the left or take the |
| | | | right downhill path. Keep following the red |
| FIESOLE - MONTECECERI - SETTIGNANO | | | | and white blazes. The path dips down, the |
| | | | ground it rough, but you soon come to |
| Before setting out, the best way to interpret | | | | clearing in the wood where you take left |
| your wanderway from Fiesole up to Montececeri | | | | turning uphill; again we can see the frequent |
| and over to Settignano, is to observe it from | | | | on the trees. Look up to the left, up to the |
| afar. Take a bus up to Piazzale Michelangelo, | | | | cypress trees on the hilltop to get your |
| one of the most frequented landmarks of the | | | | bearings. Ten minutes uphill, keeping the |
| city. From the front balustrade of the | | | | hilltop to your left, you come to the |
| Piazzale, look down over the river Arno to | | | | red-and-white marks on the rock in front of |
| the cupola of the Cathedral, and then | | | | you. |
| directly up to the horizon. Fiesole crowns | | | | |
| the hilltop in the distance, and beside it, | | | | MONTECECERI -------------BORGUNTO |
| to your right, is Montececeri. It was from | | | | |
| this platform that the "first human flight" | | | | MAIANO |
| was attempted following the drawings of | | | | |
| Leonardo da Vinci. | | | | This time take lefthand path to Montececeri |
| | | | another quarry on the right and at the first |
| Facing the river, walk to the left and round | | | | Y-junction take a few steps forward, then to |
| the balustrade until you come to a flight of | | | | the left along a short path for a striking |
| steps leading down to a small piazza. At the | | | | view from the top of the quarry face over to |
| end of this area is a board-map showing the | | | | the distant hills and down to the valleys. |
| most celebrated buildings of the city. | | | | |
| | | | Retrace your steps and follow this path with |
| BUS TO FIESOLE | | | | the red-and-white marks and after 10 minutes |
| | | | there is an uphill stretch along a wooden |
| ATAF bus 7, Florence to Fiesole (20 minutes) | | | | handrail and stone steps. The path spirals |
| | | | round to the left until you reach Piazzale |
| STOPPING AT | | | | Leonardo. A few benches and tables are |
| | | | available for rest and picnics. |
| Central Station - Piazza Indipendenza - | | | | |
| Piazza San Marco - Piazza della Libertà - | | | | The board shows its story. |
| Piazza delle Cure - Piazza Edison - Camerata | | | | |
| - San Domenico - Regresso - Piazza Mino da | | | | This place is dedicated to the memory of |
| Fiesole. | | | | Leonardo da Vinci'sfirst human flight |
| | | | experiment. |
| WALK TIME | | | | |
| | | | An area of strategic position during WORLD |
| 3 hours. Grade: Leisurely. | | | | WAR II |
| | | | |
| FIESOLE | | | | The translation of stone column reads: |
| | | | |
| A century ago, the walk uphill from Florence | | | | The great bird will rise to its first flight |
| to Fiesole was only for the energetic; the | | | | over the summit of Ceceri, filling the |
| electric tram was tedious and long-winded, | | | | universe will awe and filling with its fame |
| and downright punishing for the horses | | | | all writings and with eternal glory the nest |
| dragging their carriages of goods and | | | | where it was born. |
| passengers. | | | | |
| | | | In Leonardo's own words we read. |
| Every Latin historian had something to say | | | | |
| about Fiesole. Rambling and strange at times | | | | "The aforesaid bird, aided by the wind, shall |
| as their stories might seem, they do contain | | | | rise to a great height; and in this will be |
| a grain or two of truth. Some asserted that | | | | its safety. Should any act of overturning |
| it was built by the Tirreni, others by the | | | | intervene, it will thus have time to regain |
| Pelasgians, or even by the Phoenicians. It | | | | its equilibrium, when its limbs are of great |
| was certainly one of the richest and most | | | | resistance so that it may withstand the fury |
| powerful of the Etruscan cities. Inevitably, | | | | and impetus of a descent with the aforesaid |
| the proud Roman clarion echoed one day along | | | | precautions and its strongly mounted joints |
| the Arno valley up the hillside and the | | | | and its nerves of strong raw silk; and with |
| inhabitants of Fiesole were either | | | | no interference of iron parts, as soon these |
| slaughtered or ordered to genuflect before | | | | will break under pressure, or will be subject |
| the invincible Legions. After the fall of | | | | to wear, and therefore we should not employ |
| Rome, it was subsequently plundered several | | | | them. |
| times and lost its peculiar qualities. On the | | | | |
| old Etruscan and Roman ruins and monuments | | | | Be reminded that the bird shall not imitate |
| the new town was slowly built. | | | | any other than the bat, as the membrane |
| | | | affords a structure, that is a connection for |
| In the immediate post-war years the young | | | | the structure, the mainstays of the wings. |
| flower-girl sat at the corner, aggressive | | | | |
| street hawkers strolled the streets with | | | | Should you imitate the wings of feathered |
| cardboard boxes tied round their waists | | | | birds, they are of stronger bone and nerve to |
| containing their wares, and pitiful beggars, | | | | be perforated; that is the feathers are |
| little more than road-rats, sold holy | | | | disunited and so let air pass through. |
| pictures with potent prayers for a safe | | | | |
| wayfaring. Poverty was a role to be | | | | But the bat is helped by the membrane, which |
| performed, not social offence, so a Tuscan | | | | ties all together and is not perforated. |
| rispetto sings - | | | | |
| | | | Leaving the Piazzale, take the wide path |
| I cast a palm-leaf into the sea: | | | | along the garden wall on the left which leads |
| | | | downhill for a few minutes to a mapboard, |
| The waters devour it. | | | | where you turn left. Pass the road barrier |
| | | | and soon a small open area of hard ground |
| I see others cast lead, and - | | | | comes into view on your right with a quaint |
| Lo! | | | | little church on the corner. This is Piazza |
| For them it sails. | | | | dei Pini and the parish church of Borgunto, |
| | | | seated like a seer in the midst of |
| On the way up today we leave behind the old | | | | heathendom, which like so many woodland |
| wayside churches, shrines, crosses, great | | | | churches, may have been built on the very |
| villas once frequented by the Medici, | | | | spot set apart for sacred and solemn rites in |
| illustrious artists and writers, now | | | | honour of some ancient pagan god of the soil. |
| oppressed by modern hi-tech buildings in what | | | | |
| seems intentional defacement. | | | | Facing the church, look to the wall on your |
| | | | left which is marked |
| To the footsore pilgrim with sturdy pastoral | | | | |
| staff and dusty burlap outfit it was a day's | | | | CAI-FIRENZE-ITIN-1 |
| walk to the top, up those exceptionally steep | | | | |
| stony paths, still in place, which remind one | | | | Settignano |
| of far-off effort and accomplishment. The | | | | |
| wayfarer has given place to turbo buses | | | | Compiobbi |
| pouring out streams of camera-burdened | | | | |
| tourists. | | | | SENTIERO DEGLI DEI |
| | | | |
| At present, an open square, some narrow | | | | This is Via Peramonda, perhaps anciently a |
| streets, pleasing to the attentive eye, and a | | | | military road or a trade route. After a few |
| number of aesthetically attractive buildings | | | | strides along this road you will see the |
| form its personal façade. Indeed, one | | | | entrance to a Fiesole Camping Site on your |
| can find some cloistered nooks with a | | | | left. Proceed downhill now. A keen eye can |
| water-colour artist at work and a gathering | | | | enjoy the views over the hills with their |
| of shadows with a writer. A few steps out of | | | | large farmsteads and elegant villas which |
| town one can come across the typical Tuscan | | | | beckon us to discover them. |
| farmhouse with a vine loosely drooping over | | | | |
| the doorway. | | | | Turn right when you come to the main road |
| | | | about 20 minutes later. Walk on for 200m to |
| SANTA MARIA PRIMERANA | | | | the bus area on the right, which is little |
| | | | more than a clearing at the roadside. Turn |
| The church of Santa Maria Primerana, built on | | | | down into the wood from the top side of this |
| an Etruscan fundament, was already known in | | | | area and follow the path running parallel to |
| the year 966. Enlarged during the Middle | | | | the main road to the left above it. This path |
| Ages, a new façade was built at the | | | | through the wood will soon meet a narrow road |
| end of the sixteenth century. The high alter | | | | at a T-junction where you must turn right. |
| has a small painting on wood with a Madonna | | | | Now walk straight on. Do not turn right after |
| and Child by Maestro di Rovezzano. The | | | | a few paces towards a barrier across the |
| transept has two bas-reliefs by Francesco da | | | | track. |
| Sangallo. The glazed terracotta from the | | | | |
| workshop of Andrea della Robbia is admirable. | | | | Look carefully for the CAI signs on the tree |
| | | | as you enter this rough stony way, suitable |
| On the second Sunday of May, the Podestà , | | | | for cart-wheels and the cloven hoof. Walk on, |
| or Administrator of Justice, and the leaders | | | | there are tall rushes on the right, until you |
| of the population, or Gonfalonieri, came here | | | | come to a once admirable, yet still |
| to take the oath of office. The Badia | | | | dominating, wayside shrine up on the wall to |
| Fiesolana and the Amphitheatre should be | | | | your left. One of the thousand tumbling |
| visited. On the west hilltop is the | | | | wayside shrines in Tuscany, worthy of a |
| Francescan Church and Monastery, where ladies | | | | scholar's quotation or an artist's affection. |
| were not allowed to enter. | | | | The face of a young cherubim looks down with |
| | | | mock humility as if offering a prayer for |
| CHURCH of SAN LORENZO at VINCIGLIATA | | | | burdened wayfarers with a long road behind, |
| | | | and nowhere to go. |
| In the 15th century the Alessandri family, | | | | |
| who owned the nearby castle, built a bell | | | | In those days gone by a place of worship, |
| tower on which is placed their stone | | | | rest and refreshment; a meeting point for |
| coat-of-arms. The family enlarged the church | | | | trivia where you can still meet a farmer with |
| at the end of the 18th century and its | | | | a loaf of bread under his arm, an onion in |
| orientation was changed when the | | | | his hand, and the neck of a small wine bottle |
| façade was built in place of the apse. | | | | peeping out of his pocket. |
| Over the window is a two-headed lamb and on | | | | |
| the tower a curious demon-like blowing two | | | | Walk past a forlorn-looking farmstead further |
| fanfare trumpets. There is a terracotta bust | | | | along the road, down along the cart-track |
| representing San Lorenzo and of a Madonna and | | | | through an olive grove. These tracks can |
| Child, attributed to Rossellino, 12th cent. | | | | become muddy after some rain and are better |
| | | | suited for cartwheels and the cloven hoof. |
| CASTLE of VINCIGLIATA | | | | Until a few years ago one could meet beasts |
| | | | of burden tramping along here, and those |
| On the outer wall are a number of | | | | great white oxen, slow, swaying bodies, |
| commemorative plaques to eminent sojourners, | | | | already worshipped two thousand years ago as |
| including such names as Queen Elizabeth and | | | | the incarnation of the earth-gods: |
| Beatrice, Battenberg, Hohenlohe, Hohenzollern | | | | |
| and the Duchess of Russia. | | | | And to those also, O Lord, the humble beasts, |
| | | | who with us bear the burden and heat of the |
| The castle was little more than a ruin when | | | | day, and offer their guileless lives for the |
| in 1855 John Temple Leader bought it, and | | | | well-being of their countries, we supplicate |
| much of the land and a large number of | | | | Thy great tenderness of heart. |
| crumbling farmsteads and churches in the | | | | |
| neighbourhood, and set himself the gruelling | | | | When you get to the end of this first |
| task about restoring all of his property. | | | | stretch, head towards the wood. Don't take |
| | | | the right-hand turn downhill. |
| BEGINNING YOUR WALK | | | | |
| | | | The walk through the wood is brief. In the |
| When you get off the bus in Piazza Mino da | | | | morning a dew-laden spider's web lays itself |
| Fiesole look up towards the Town Hall, the | | | | across your face and a keen eye can find |
| Municipio, at the east end above the town car | | | | regurgitated owl pellets of slimy fur and |
| park. Before setting out, stop to observe the | | | | half-digested bone. at the end the path comes |
| remarkable display of heraldry on the | | | | to another old, crestfallen farmhouse with a |
| façade remembering the Podestà , | | | | yard and out-buildings. Walk round it, down |
| and visit the church of Santa Maria | | | | between rugged dry walls and along a track |
| Primerana. | | | | covered with Summer dust waiting for |
| | | | September winds to make a sally and bare its |
| Facing the church, take the narrow lane at | | | | humps again. After 10 minutes it leads uphill |
| the extreme right. This is Via Giuseppe | | | | and on to a narrow asphalt road. |
| Verdi. Look for the sign on the wall to the | | | | |
| right | | | | Turn right, downhill to the roadside church |
| | | | of San Lorenzo. Across the valley are the |
| PASSEGGIATA PANORAMICAwhile on the left is a | | | | quarries of Maiano where Walkway One passes. |
| red and white mark indicating | | | | |
| | | | A few minutes down the road is the |
| CAI-ITIN-1 | | | | eye-catching Castle of Vincigliata. On the |
| | | | high outer walls are stone tablets |
| SETTIGNANO 1 h | | | | commemorating the sojourn of names such as |
| | | | Queen Elizabeth and Beatrice, Battenberg, |
| COMPIOBBI 2.30 h | | | | Hohenlohe and Hohenzollern and the Duchess of |
| | | | Russia. |
| Our walk now begins. The roads and paths | | | | |
| ahead are copiously way-marked with these red | | | | At the first sweeping bend after the castle, |
| and white CAI blazes. | | | | take the track on the left through the olive |
| | | | groves. There is comfort and security in |
| The tight little lane climbs fairly steeply | | | | long, straight paths. Life flows smoothly on. |
| for a few minutes between villas and houses | | | | But the Genius Loci appears from behind |
| of refined composition and artistry until it | | | | sudden dips and bends and lives under the |
| levels out at the top. Don't be too | | | | uncontaminated blank spaces on the wayfarers |
| ambitious. Enjoy a relaxing leisurely pace. | | | | map. |
| On the right is dramatic view over Florence | | | | |
| and the background towards the Chianti hills | | | | Walk slightly uphill to the large renovated |
| - a sight to slake the thirst of any romantic | | | | building on the right with its chapel |
| soul. From this point the city is best seen | | | | standing on the ground opposite. The view |
| at dawn or in the evening when the sun is low | | | | from here over the olive groves and cypress |
| and the background hills present a sharp edge | | | | trees towards Florence in the background must |
| against the western sky. | | | | surely be one of the deepest emotional |
| | | | admiration. |
| Walk forward keeping to the left. Do not take | | | | |
| Via Doccia which dips down to the right. You | | | | Not far along the track we come to a house on |
| are now in Via Montececeri. Up on the | | | | the corner of a junction. This is Casa al |
| right-hand wall of the corner house is a sign | | | | Vento. Look for the large cypress tree on the |
| | | | right. Walk round the house and take the |
| FRANK LLOYD WRIGHT lived here 1910 | | | | rough stony road to the left. Do not be |
| | | | tempted to take the path to the left before |
| After 150m the road levels out again for a | | | | the house (Trail 2) or the track from the |
| second view across the valley as far as the | | | | house leading straight on past the small ruin |
| eye can see. Via Montececeri ends after a | | | | in the field on the left. Walk slowly |
| minute and at the branch take the road | | | | downhill. This path is rough and dusty in dry |
| downhill to the right, Via degli Scalpellini. | | | | weather, and slippery after rain. There are |
| Look for the red and white CAI mark. A few | | | | olive trees on the right, cypresses up to the |
| paces forward will take you to Via del | | | | left, and further up heather taller than a |
| Pelagaccio which veers sharply uphill to the | | | | man and plants showing a struggle to survive. |
| left. Do not take this road. Walk forward | | | | After 20 minutes you come to Via del |
| along the straight gravel footpath leading | | | | Fossataccio. On the left is a house with a |
| towards the wood. After 200m you come to a | | | | shrine up on the wall. The inscription reads |
| board on the right showing a map of the park. | | | | |
| The path now takes you through the wood. | | | | MONSTRA TE ESSE MATREM. |
| Swing uphill to the left at the first | | | | |
| Y-junction, always bearing in mind to follow | | | | Note the marks on the wall to the right. Walk |
| the red and white CAI blazes on the trees or | | | | straight forward along Via Desiderio da |
| rocks, disregarding the blue-red marks. Turn | | | | Settignano, past the cemetery on the right, |
| right after 5om. It takes about 10 minutes to | | | | uphill a little between the first houses of |
| reach a handrail on the right and wooden | | | | the town to the junction with Via S. Romano. |
| bench on the left. An excellent view over the | | | | Turn right and proceed down to the Piazza. |
| Arno valley. The Florence soccer stadium is | | | | Look at the curious façade of the |
| straight down in front in the foreground and | | | | Società Corale, a building on the right |
| the Cathedral and Palazzo Vecchio are just | | | | just after the very narrow part of the |
| over to the right. | | | | street. |
| | | | |
| Downhill again, you come to the first stone | | | | …even I feel in me to have |
| quarry on the left. A dark sinister hole in | | | | suckled in with milk the love for sculpture |
| the hillside, worthy of a short visit. These | | | | in Settignano where I was raised, and where |
| quarries were still used until the 50's. At | | | | part of the inhabitants are |
| the nearby 3-pronged junction, take the | | | | sculptors… Michelangelo. |
| middle path on the same level that swings to | | | | |
| the left. | | | | Bus number 10 from the piazza takes thirty |
| | | | minutes back down to Florence. |